Lukhanyo Mdingi, a young South African designer.
Lukhanyo’s S/S16 collection, titled ‘Taintless‘ is a gender-fluid take on oriental aesthetics, using this as a source to blur the lines between his + hers fashion. Instead of pertaining created pieces to one distinct gender, the aim was to create a collection that is for all individuals. Keeping it clean, neat and timeless.
Lukhanyo’s S/S16 collection, titled ‘Taintless‘ is a gender-fluid take on oriental aesthetics, using this as a source to blur the lines between his + hers fashion. Instead of pertaining created pieces to one distinct gender, the aim was to create a collection that is for all individuals. Keeping it clean, neat and timeless.
The virtual beauty of NOA RAVIV
Fascinated by 3D grids on a 2D screen , the designer plays with optical illusions . Seem so its two-dimensional digital screen prints and stitched lines and three-dimensional eye 3D printed elements by lines sometimes almost 2D.
Fascinated by 3D grids on a 2D screen , the designer plays with optical illusions . Seem so its two-dimensional digital screen prints and stitched lines and three-dimensional eye 3D printed elements by lines sometimes almost 2D.
Michael Cheng, substruct:
The refreshing handwriting of Cheng balances between sportswear and fashion, and is characterized by layering, contrasts in texture and bright architectural striping. What i really like about the collection is that he finished the seams on the inside as well with bias tape. Cheng emphasizes that the the construction of the inner garment is as important as the outside.
The refreshing handwriting of Cheng balances between sportswear and fashion, and is characterized by layering, contrasts in texture and bright architectural striping. What i really like about the collection is that he finished the seams on the inside as well with bias tape. Cheng emphasizes that the the construction of the inner garment is as important as the outside.